In the land of the Eichler, a growing real estate battle

SUNNYVALE — Fifty years ago, Vilma and Don Buck went looking to buy their first house. It didn’t take long to find the right one.

It was open, airy and filled with sunlight thanks to the floor-to-ceiling windows that lined the backside of the single-story tract home — a modest place, but, to them, a veritable palace.

Open the front door, and you could see clear through to the backyard. “Oh, the light,” said Vilma, a retired social worker, remembering her first look at the home, in 1966.

Never would she have guessed that her cozy neighborhood, filled with similarly cozy homes, would one day be on the front lines of a growing Bay Area battle over real estate — pitting one vision of California living against another.

In case you haven’t yet figured it out, the Bucks own an Eichler home. As do all their neighbors — including one young couple across the back fence who plan to knock theirs down and build a much larger two-story house on Sesame Drive. A “monster” house, as some neighbors call it. And here our story begins.

First in Palo Alto and now in Sunnyvale, owners have waged zoning battles in City Hall to prevent newcomers from knocking down Eichlers. Their goal: to protect and preserve their all-Eichler neighborhoods. In Sunnyvale alone, there are six petitions pending to bar the construction of McMansions amid the Eichlers.

“It’s the incongruity of a two-story house,” explained Don Buck, a retired De Anza College history professor who raised three children with Vilma in their 1,800-square-foot home. “It’s an oddity. It looks strange.”

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Many Eichler homes feature glass-enclosed atriums. Patrick Tehan/Staff

About 1,125 houses were built in Sunnyvale by developer Joseph L. Eichler, whose distinctive, midcentury tract homes create the sense of bringing the outdoors into their flowing, light-filled interiors. From 1949-74, Eichler — while based in Palo Alto and, later, San Francisco — built 10,500 houses across the region, even entire Eichler neighborhoods, from Walnut Creek to San Jose’s Willow Glen. What a concept: High-quality, affordable houses, attractive and architecturally distinctive to boot.

So why all the fuss right now? Bargains when they were built, Eichlers — like pretty much all Bay Area real estate — are worth a mint these days. Purchased for less than $30,000 in 1966, the Bucks’ home likely would fetch at least $1.7 million on today’s market.

But it’s more than that. With their minimalist modern lines and open floor designs — way ahead of their time — Eichlers have come to be regarded as “pieces of art,” said real estate agent Pelin Erdal, whose Saratoga-based firm has specialized in Eichlers since the 1980s. “Knock one down? People say, ‘Oh my gosh, why would you do that?’ Because that’s one less Eichler.”

Yet Eichlers aren’t for everyone. Maintenance can be complicated. Beams can rot. Plumbing, embedded in the concrete slab beneath the house, can leak. (Eichler was into radiant floor heating).

Which brings us back to Sesame Drive: After consulting with an engineer on the condition of their recently purchased Eichler, the Bucks’ neighbors — Alik Eliashberg and Lena Govberg — announced last year that they would raze it and construct a two-story house in its place. Word spread about this 3,600-square-foot home, approximately twice the size of most Eichlers in the Fairbrae Addition, a tree-lined neighborhood with its own community swim club — built by Eichler, of course.

Some neighbors feared for their privacy: Would second-story windows offer unimpeded views into the glass-lined living rooms and master bedrooms of the Eichlers below? Would the razing of one Eichler lead to more of the same — blow after blow to the Eichler neighborhood’s historic lifestyle and look?

“We told them, ‘We hope you understand we don’t want a lot of two-story houses around here,’?” Vilma Buck said.

“We don’t want any,” said her husband, Don.

After Eliashberg and Govberg announced their project, a complicated permitting process began with the city. There were public hearings at which neighbors voiced their suggestions and complaints, sometimes angrily. One day, standing with her daughter outside their house, Govberg was confronted by one neighbor who told her to move.

“It got personal,” her husband said.

Many neighbors sent letters to the city, stating their objections. One, written by Eric Petersen, a general contractor who specializes in Eichlers and lives in the Fairbrae Addition, likened the planned house to a “huge container ship” that would overwhelm the “little rowboats” around it.

In any case, the project was approved by the city; demolition and construction are expected to begin later this year. But it will be the last two-story house built in the vicinity. Neighbors have successfully petitioned the city for a zoning change that from now on will prevent anything but single-story construction in the surrounding blocks.

“I’m not going to let this happen to any more of my neighbors,” said Michelle Sullivan, who shares a back fence with Eliashberg and Govberg. She accuses the couple of subverting the community’s historic character.

“I believe you should have your property rights. I also believe there’s something called property responsibility,” said Sullivan, who, with her husband, led the door-to-door campaign for the single-story zoning change. “People need to understand you have a responsibility when you move into an Eichler community. … This is a really historic area.”

Several more petitions are circulating on surrounding blocks, as the single-story movement grows in the Fairbrae Addition, which has about 275 Eichlers. Given that the nearby Fairwood neighborhood (with its 215 Eichlers) is equally embroiled — and that five petitions already have passed in Sunnyvale, two this year — it’s likely that a substantial portion of the city’s 1,125 Eichlers will soon be protected from two-story invasions.

“I get calls every few weeks from people asking, ‘What do I have to do?’?” said Gerri Caruso, the city’s principal planner and one of the handlers of the petitions.

In the meantime, Eliashberg and Govberg have been preparing for their project. They recently sat down in their Eichler’s kitchen — a hummingbird buzzed through the adjoining atrium as they talked — and described their saga: how they originally planned to remodel, but were advised that renovations would be daunting and costly. New roof. New beams. New plumbing. It would be more efficient to knock down the Eichler and start fresh.

They reached out to their neighbors, explaining that they wanted to design a house that would fit the neighborhood and might even add an exciting splash of architectural newness. After all, building materials and construction techniques have changed since the time of Joseph Eichler. Here and there, the couple noted, Eichler himself built two-story homes.

“We live in this innovative, vibrant, melting-pot place, and the idea that everything must be the same seems very odd and very restrictive ?” Govberg said. “To me, this is not a museum. It’s our home, and I want to enjoy living here.”

They have made adjustments to their project’s design. For one thing, they won’t be able to see through the primary second-story window, the one that worries Michelle Sullivan — the glass will be heavily textured. They have offered to plant more trees and foliage to ease neighbors’ worries, and will raise the height of a backyard fence to 8 feet.

Some neighbors, their fears allayed, have given the project their blessing.

Even Don Buck has come around a bit. “They have been very accommodating, very pleasant, which is to their credit,” he said. “It’s just that it’s a two-story house, and it’s not very compatible with an Eichler neighborhood.”


Where you’ll find Eichler homes

  • There about 10,500 Eichlers in Northern California.
  • From 1949-74, they were built in tracts in Sacramento, Marin County and San Francisco; in Concord, Walnut Creek, Oakland and Castro Valley in the East Bay; and all over the South Bay and Peninsula, including Redwood City, Los Altos, Sunnyvale, Santa Clara, Cupertino, Mountain View, Los Gatos and San Jose.
  • Palo Alto has the most Eichlers: about 3,000, with two tracts that are on the National Register of Historic Places.
  • Sunnyvale has about 1,125 Eichlers. Apple co-founder Steve Wozniak grew up in one, as did Mayor Glenn Hendricks.
  • San Mateo’s The Highlands is the largest contiguous development of Eichler homes, with more than 700.
  • Concord boasts three Eichler tracts (Rancho del Diablo, Rancho de los Santos and Parkside), with about 175 homes.
  • Walnut Creek’s Rancho San Miguel has about 375 Eichlers.
  • For more information on Eichlers and issues involving the homes, see EichlerNetwork.com.

 

Article source: http://www.mercurynews.com/2016/09/12/its-eichlers-vs-mcmansions-in-growing-bay-area-battle/

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Rent control spreading to Bay Area suburbs, to economists’ dismay

39360 920x1240 Rent control spreading to Bay Area suburbs, to economists dismay

The concept of rent control, once found mostly in large cities, is spreading to the Bay Area’s suburbs, even though virtually every economist thinks it’s a bad idea.

Article source: http://www.sfchronicle.com/business/networth/article/Rent-control-spreading-to-Bay-Area-suburbs-to-9215216.php

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‘Mrs. Doubtfire House’ in San Francisco Set to Hit the Market: Report …

The iconic “Mrs. Doubtfire House” in San Francisco may soon hit the market, according to SocketSite, a website covering real estate in the city.

The home, which has yet to be listed for sale, sits at 2650 Steiner Street in Pacific Heights.

SocketSite reports the home “last traded hands for $1.395 million in 1997.”

The home made headlines in January 2015 when the door was set ablaze by an arsonist.

The “Mrs. Doubtfire House” also served as a temporary shrine to Bay Area actor Robin Williams, who starred in the 1993 movie, after he committed suicide in August 2014.

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Priced Out Artist Moves To Folsom, Leaves Heart in San Jose

Erica Atreya never fell out of love with San Jose. The Silicon Valley capital just became too damn expensive. Her husband, Krishna, really wanted to buy. But even with his engineer’s salary, the couple could only afford to rent a one bedroom town home.

The Atreyas soon realized that if left the San Francisco Bay Area, they could actually buy a piece of the proverbial American dream. So they started house-hunting farther and farther afield, in places like Pleasanton, Dublin and Livermore. But their goal of homeownership continued to remain elusive. “We kept getting bought out by people who were offering cash,” Atreya says.

Finally, the Atreyas found their way to Folsom, east of Sacramento. Erika Atreya loves the small city’s easy-going vibe and its proximity to nature. But she misses San Jose.

A year and a half out, she continues to struggle with the emotional fallout of the change. “There was more than an adjustment,” says the self-taught visual artist, who lived in San Jose for 18 years before she and her husband decamped for Folsom. “There was depression, and loneliness.”

For one thing, San Jose’s demographic mix makes for a richer, multi-cultural feel, which Atreya loves. For another, the art gallery scene in Folsom doesn’t really compare to her old home base. “Back home, I had so many people to reach out to in my art community,” Atreya says.

Room to paint in Folsom

That said, the Atreyas’ new three-bedroom house gives the couple space to breathe and grow. Now, instead of ever so carefully spreading out on the couch with her materials, as she used to in San Jose, Atreya has her own studio in the garage. She also has enough wall space in the house to accommodate 40 works of art, many by friends she had to leave behind.

Atreya is constantly adding to the collection with new works, like this one:

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“Eve,” by Folsom artist Erica Atreya, was produced for a show with a collective called reCREATE, that upcycles items like this body form of a female torso. (Photo: Courtesy of Anthony Barbaria)

“I did lot of detail and texturization with puff paint,” Atreya says of one of the pieces on display in her home, titled Eve. “So you can actually touch the piece.”

Not Johnny Cash’s Folsom

The Folsom the Atreyas moved to is not the one that comes to mind from the 1968 Johnny Cash song “Folsom Prison Blues.” These days, the city is like a comfortable, middle class Sacramento suburb. Intel is the biggest employer. Half the population hails from the San Francisco Bay Area or Southern California.

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The Atreyas moved numerous times within San Jose before they left. “We kept moving further away from the main tech companies, because it would get cheaper the further we moved,” but those rents rose, too. (Photo: Courtesy of Erica Atreya)

“It’s cyclical,” explains Mary Ann McAlea, senior vice president of the Greater Folsom Partnership, a consortium of organizations that oversee tourism, trade and economic development in the region. McAlea says Folsom’s population expands every time real estate booms to the west. “It’s tied to the real estate values on the coast.”

McAlea says Folsom has witnessed a spike in in-migration over the last five years, especially young families looking for more square footage in an area where they can also find well-paying jobs.

Dramatic losses for San Jose

In recent years, rising real estate prices have pressured – or forced – artists to leave San Francisco and Oakland for cheaper places elsewhere. The same thing is happening in Silicon Valley.

The average rent for a San Jose apartment these days is $2,600 according to the real estate brokerage firm Marcus Millichap. That’s not as bad as San Francisco, but San Jose rents are still steep, and nearly 50 percent higher than they were five years ago.

Even for those who can afford to pay the rent, the pull to leave for cheaper living is hard to resist — especially if you’re an artist whose partner makes the bulk of the household income.

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These days, Erica Atreya still drives three hours from Folsom to San Jose every month to participate in Arte nella Piazza, an art bazaar in San Jose’s Little Italy. (Photo: Rachael Myrow/KQED)

In the time since she left for Folsom, Atreya says she knows of five other artists who left their hearts in San Jose. This number includes a musician who like her also moved to Sacramento County, a painter who moved in El Dorado County, and three people who left for Oregon. “We know the market has changed drastically,” acknowledges Kerry Adams-Hapner, San Jose’s director of cultural affairs.

Adams-Hapner says the city of San Jose is surveying its artists for the second time in eight years to get a current handle on their housing and work space issues. Real estate costs are dramatically higher now. But even five years ago, 47 percent of the 700 artists canvassed in the survey found San Jose area housing unaffordable; two-thirds reported spending more than 30 percent of their income on mortgage or rent.

“People need a space to live, fundamentally,” Adams Hapner says. “Also, people need a space to present their work. They need a space to rehearse. And they need spaces also to connect with each other and network.”

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Many Silicon Valley artists, including Steve Borelli of Campbell, don’t even begin to pay the rent with their art. But that’s not a reason to give up the practice, or the community. (Photo: Rachael Myrow/KQED)

In Folsom, Atreya is gradually building a new network of friends and professional contacts. But she still feels an emotional pull towards her old home. “All my art family’s there, mostly,” Atreya says. “So, my heart’s still here in San Jose.”

Atreya still regularly drives three hours southwest to reconnect with her friends in San Jose. She’s still a member of the San Jose Art Salon, a group of creatives who meet regularly for collective inspiration. And every month, she returns to Arte nella Piazza, an art bazaar in San Jose’s Little Italy neighborhood.

Those that stayed behind

This exodus of artists is depressing for those left behind in the South Bay, too – even if they’re not about to get priced out. At the art fair, Steve Borelli has his own table set up near Atreya’s with his abstract drawings available for sale.

“Every passing day, I feel I’m luckier,” Borelli says. Borelli bought a house years ago in Campbell, near San Jose. Borelli pays the mortgage with his salary as a graphic designer. But his true love is drawing – and his connection to the local artists’ community.

“I fear for the future,” Borelli says. “You know, if it keeps going the way that it is, eventually you’re going to see a mass migration out, and I just hope it never comes to that.”

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Mia the cat gets interviewed at Erica Atreya’s Folsom home. (Photo: Courtesy of Erica Atreya)

The exodus is a function of the economy, says Matthew Mahood, president and CEO of the San Jose Silicon Valley Chamber of Commerce.

The loss of school teachers and firefighters might seem to be a more pressing concern for San Jose than the flight of artists. But Mahood says quality of life is equally essential for the region to thrive going forward.  “In order to attract and keep a quality workforce, you have to have arts and entertainment,” Mahood says. “Those things where people want to call this home.”

 

Article source: https://ww2.kqed.org/arts/2016/09/09/priced-out-artist-moves-to-folsom-leaves-heart-in-san-jose/

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‘Mrs. Doubtfire House’ in San Francisco Set to Hit the Market: Report

The iconic “Mrs. Doubtfire House” in San Francisco may soon hit the market, according to SocketSite, a website covering real estate in the city.

The home, which has yet to be listed for sale, sits at 2650 Steiner Street in Pacific Heights.

SocketSite reports the home “last traded hands for $1.395 million in 1997.”

The home made headlines in January 2015 when the door was set ablaze by an arsonist.

The “Mrs. Doubtfire House” also served as a temporary shrine to Bay Area actor Robin Williams, who starred in the 1993 movie, after he committed suicide in August 2014.

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