LeTigra: Real Estate Tigress by Day, DJ/Producer by Night

Courtney “LeTigra” Davis is a promising DJ/producer who is currently living in the West Coast metropolis of San Francisco. She start becoming a DJ/producer after a personal situation that occurred to her a few years ago. Since then, she has continued learning and enhancing her music-crafting skills so that she can mix great music that will have everyone enjoying the rhythms from start to finish. In the daytime, she is a very successful real estate agent in the San Francisco Bay Area, earning the nickname, “The Tigress of Real Estate”.

She later brings over to that success onto her music-crafting passion as she aims to become a world-class house music artist. I first interacted with Courtney “LeTigra” Davis at the All Day I Dream Festival in Oakdale last month while I covered the amazing memorable festival. Here is One EDM’s exclusive interview with LeTigra, the DJ and real estate Tigress who aims to not only take the San Francisco house scene by storm, but also the international house music industry as well. While reading this interview article, make sure to listen one of LeTigra’s sets on her SoundCloud.

Ken Ngo: Hey there Courtney. You were at the All Day I Dream Festival not too long ago. How was that mesmerizing experience for you?

LeTigra: For a first-year festival this was top-notch. The location was wonderful being right on the reservoir, so we could float all day long and listen to wonderful chill melodic music from the cloud nine stage. The weather was lovely, the food was yummy, and the festival shopping was fantastic. But what really set this festival apart from other festivals, was the music. I never really heard a bad set during the entire festival.

What were your most favorite moments for you at the festival?

Layla Benitez, who I had never even heard of, blew my mind. Followed by Roy Rosenfeld, who rarely plays in the US, so that was such a nice treat! Also, Lee’s closing set was pretty special.

Getting onto the topic about your music. In your own words, what is your style of house music like?

I love old-school Chicago style house music from the 90’s mixed with melodic soulful covers. I would best describe the music I play as groovy, uplifting vocal house music with a feminine twist. I especially gravitate towards tracks that elicit some emotion and LOVE strong powerful female vocals. The DJs I enjoy most are the ones that make you feel something, so that’s my goal when I play music. Someday, when I can find the time, I would like to resume working with my vocal coach. Then, I will start singing either along side some of the tracks or eventually once I start producing, replace the vocals with my voice.

What made you decide to get into the amazing field of electronic music production?

That’s a longer story. But the shortened version is my boyfriend of four years was a phenomenal house DJ in San Francisco for the better party of thirty years. He loved playing music, and had residencies in the 90’s at Ruby Skye, Kat Club and the Wet Release Parties. But by the time we got together, in 2015, he no longer had any desire or drive to take his DJ career past just playing a friend’s party or Burning Man fundraiser every once in awhile. At the end of 2018, I learned he was cheating on me with my best friend at the time, and planned to leave me for her, which destroyed me. But, a couple days before he left, he asked if there was anything he could do, to make things just a little easier, since he really wronged me. With no hesitation, I requested, “Can you tell me what gear to buy, give me a quick 20-min lesson and some of your music so I can start making my own sets”?

Since he won’t be around to make me sets any more. He agreed and so I started practicing, as I was determined to learn how to DJ, as it was me facing a fear of tech paired with a passion for music. Within 1 month, I release my first set (still up on my SoundCloud as my first posted set, click on the link here). Within a couple months I was already playing friends birthdays, and was listening to about 30 hours of music and practicing a bunch every week to find new tracks and perfect my transitions. 

I’m known as the Tigress of Real Estate in SF (my day job), so when I put my mind to something I give it my all in dedication, and typically become good fairly quickly. It was no different with DJing. But, because I’m kinesthetic and felt the music, I had and still have a pretty good ability to select the right tracks for a particular set and play them in a special order to take my listeners on a soulful journey. And when I mess up a transition, it actually physically hurts me, like the feeling you get when you hear nails on a chalkboard. So to avoid that, I put sets together, play them, practice the transitions until they sound good. So that by the time I’m playing live, I’ve typically ideally played that set through at least 3-4 times.

Do you have any good starters for the readers here who would like to check out your music for the first time?

Any set I played live, I posted on SoundCloud so listeners could follow along with me on my DJ journey.  The very first set I made, I posted on February 2019, one month after I started. Keep in mind, at that time I knew nothing about music theory, wheel of fifths or even really how to adjust high, mids or lows, let alone knowing how to use effects.  Three years later I’ve learned a lot about music theory that helps me put sets together.

Are you planning on creating any new music soon?

I’m playing a few upcoming gigs, as well as recently playing a few since I returned from the All Day I Dream Festival. A friend named David had a birthday on June 12th and his party is called “The Gemini Party”. The party is the who’s who for the club culture community in SF, one of the best private parties of the year, at his residence on his large roof deck. I was given the huge honor of opening the party from 2-3:15 p.m. Usually such a new DJ would not be given the opportunity, but he said I’m ready. I was very happy to be given that opportunity to perform.

Also on that same evening, I played at a girlfriend’s birthday at Temple on their new rooftop from 6:45-8 p.m. I haven’t really dug into producing a track yet, as I first need to take a class on Abelton and Logic. But I did play around with three decks, and made an edit by mixing all three songs together, recorded that, and have been playing that out on occasion. But I don’t even know how to master a track yet, or what it takes to release an edit of someone else’s track. Hoping to learn all that in my DJ production class which I’ll be taking in the fall, once the real estate market calms down a bit so I have more time.

What has been your most favorite memory performing live?

The first time I sang while DJing was pretty memorable. I started doing it during the pandemic, so in 2021, I was at a friend’s birthday party. I surprised everyone and started singing. All my friends had no idea I knew how to sing. It was scary and exhilarating at the same time, which was awesome!

As we are now here in the second half of 2022, what do you hope will see coming for you in terms of your constantly-rising career as a DJ/Producer?

My goals for 2022 are; release my first remix or edit of a track, get asked to play a night club that isn’t my friend’s party, play at a festival internationally and play BOC (Breakfast of Champions) in SF on New Year’s Day. Hopefully someday, I may get to play Defected Records in Croatia alongside Sam Divine. Also to play with Nora En Pure or Claptone, two of favorite producers.

Which festivals would you like to perform at the most?

BOC, All Day I Dream, LIB, BottleRock, Burning Man (I will play at few parties there) and maybe one international festival. My dream would be to someday get to play in Croatia at Defected Festival.  I went last year, and absolutely loved it. It was hand down the best music I have ever heard at a festival consistently across all five days. That is my favorite record label and I’m going back again this year to celebrate my 40th bday. It would be an absolute dream come true to get to play that festival someday.

Article source: https://oneedm.com/edm-interviews/letigra-real-estate-tigress-dj-producer/

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Techies are making home prices skyrocket in California city

Palm Springs — once known as a retirement community — is a quiet desert town that’s actually gaining new residents in their 20s, 30s and 40s, according to moveBuddha, census data and Coachella Valley real estate agents. Redfin agent Kimberlee Morgan says that her clients are typically retirees and secondary homeowners, but the area’s atmosphere and housing market is swiftly changing.

While the Palm Springs population has seen a modest 1% increase from April 1, 2020, to July 1, 2021, the cost of housing has soared over the past two years. Zillow says that home prices in Palm Springs have gone up 36.9% over the past year, and according to Redfin, 63.9% of homes were sold over asking price in April. 

Part of that, Morgan says, is due to the recent influx of tech workers who are buying up properties.


“During the last two years, it’s been mostly IT and tech workers that were able to work remote,” Morgan says. “They were coming in from Los Angeles, Seattle, San Francisco. Those were like the main huge areas that we were getting.”

For the same amount of money, they could get a nice house with a pool instead of a small, cramped apartment. In San Francisco, the typical home is valued at around $1.6 million; in Palm Springs, it costs just $698,000 — almost a million dollars less.   

While Morgan says that some of these tech workers are starting to move back to big cities, they’ve already done a number on the local housing market. When asked whether they’re the reason why prices in the area have skyrocketed more than 30%, she says, “absolutely.”

However, Morgan also maintains that the market is starting to finally cool off compared with the “feeding frenzy” she witnessed in 2020. Prices are dropping, homes are no longer receiving multiple offers, and sellers are having to try a little harder and negotiate.

The same can’t be said about short-term vacation rentals, though. “Those are still in high demand, and a lot of those are being picked up by cash buyers,” she continues. 

For now, she says, the “snowbirds” will just have to continue to wait. 

SFGATE news director Amy Graff and local editor Tessa McLean contributed to this report. 

Article source: https://www.sfgate.com/bayarea/article/Tech-workers-moving-Palm-Springs-17229077.php

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Chevron to sell San Ramon property, move some employees to Houston

“The current real estate market provides the opportunity to right-size our office space to meet the requirements of our headquarters-based employee population,” the company said. “Chevron will remain headquartered in California, where the company has a 140-year history and operations and partnerships throughout the state.”

Chevron is among numerous Bay Area companies that have sought to cut office space during the pandemic, including Wells Fargo, Salesforce and Airbnb. Before the pandemic, companies such as McKesson and Charles Schwab relocated their headquarters from San Francisco to Texas, where real estate is cheaper and there’s no personal income tax.

Chevron plans to cover moving costs for employees who choose to move to Houston, where it already has a major hub with nearly 8,000 workers. The Wall Street Journal first reported the plans.

Chevron’s roots in San Francisco stretch in 1879 to Pacific Coast Oil Co., a company that was later part of John D. Rockefeller’s corporate juggernaut Standard Oil. For 3½ decades, Chevron was headquartered on Market Street before moving its headquarters in 2001 to San Ramon. The company also has a major refinery in Richmond with more than 3,000 workers.

Chevron’s San Ramon buildings could offer a redevelopment opportunity. The adjacent Bishop Ranch, owned by Sunset Development, added a mall in 2018 and has a proposal for up to 4,500 homes.

Roland Li is a San Francisco Chronicle staff writer. Email: roland.li@sfchronicle.com Twitter: @rolandlisf

Article source: https://www.sfchronicle.com/realestate/article/Chevron-to-sell-San-Ramon-HQ-property-move-some-17264699.php

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When Baking and Real Estate Collide

Tartine, a world-renowned bakery and San Francisco institution, opened in 2002, on an unassuming corner of Guerrero Street, at the edge of the Mission District. The dot-com bubble had recently burst, and the city was in a period of transition. The median rent for a two-bedroom apartment had fallen from three thousand dollars a month to just under two thousand. Development had slowed, evictions and unemployment had spiked, and commercial vacancies had risen. In the Mission, a historically working-class and Latino neighborhood, artists’ spaces battled with real-estate developers. Tartine’s neighbors included a used-furniture store and a community center. The storefront, which had previously housed a cake shop, came with a panic button.

The bakery didn’t have prominent signage and didn’t need any: almost immediately, people began lining up out the door for citrus-perfumed morning buns, billowing banana-cream pies, and loaves of custardy millet-porridge bread. The bakery garnered praise from Martha Stewart and Alice Waters and made the cake for a “bohemian bourgeois”-themed birthday party attended by Nancy Pelosi and Hillary Clinton. Its married founders, Elisabeth Prueitt and Chad Robertson, started to become food-world celebrities: Prueitt was admired for her elegant pastries and, later, her artful use of nontraditional flours, and Robertson for his approach to bread-making, with wet dough long-fermented, then prepared by hand according to a strict schedule. Tartine’s loaves almost always sold out within the hour. In the pre-Yelp, pre-iPhone, pre-cronut era, waiting in line for baked goods was unusual in the Bay Area, and the queues outside Tartine became a local landmark and a symbol of a changing city. “Our favorite thing about this bread-rich city is the chewy-crusted, nutty-crumbed pain au levain from the Mission’s new Tartine,” Gourmet wrote. “Get in line,” the San Francisco Chronicle reported. “Everyone else is.”

Prueitt and Robertson radiated a particular kind of Gen X bohemianism—dedicated, ambitious, and breezy. Aspiring chefs and bakers travelled across the country to work with them. The bakery brought on a fleet of young and beautiful artists, musicians, and writers to work the front of the house, and for a certain set of locals the “Tartine girls” were a draw. The café, with its sturdy, dark wood bistro tables arranged knee-grazingly close, took on the qualities of a clubhouse, with bakers, baristas, and servers playing their own music on the stereo, hanging out after their shifts, and enjoying free glasses of “shift wine” from uncorked bottles. Samin Nosrat, then a fledgling chef, hosted ticketed dinners at Tartine; concerts and monthly art openings included works by employees, and one bread-themed show featured a bread chandelier that lightly toasted itself as it luminesced. “It was just the crux of the Mission for me,” Rachel Corry, a sandal-maker who worked at the bakery for nine years, told me. Another employee said, “It wasn’t a professional place to work, but that was what was so great about it. Our friends were our bosses. It was like a dream time, a pretend time.”

In 2005, Tartine began a small-scale expansion. Prueitt and Robertson opened a nearby restaurant, Bar Tartine, which was praised for its inventive, sophisticated take on Japanese, Scandinavian, and pan-European cuisine. They were nominated for James Beard Awards and published a celebrated cookbook. Prueitt gave birth to a daughter who has cerebral palsy, and co-founded the Conductive Learning Center of San Francisco, a specialized nonprofit school for children with motor disabilities; she continued to run Tartine’s pastry program, and in 2008 she and Robertson won the James Beard Award for outstanding pastry chef.

A decade on, “artisanal” breads and bakeries were popping up everywhere. San Francisco was rebounding, and the process was soon to accelerate. In 2012, Facebook went public, and the median rent for a two-bedroom shot back to nearly three thousand dollars a month. Activists started blocking the paths of double-decker shuttles run by Google, Facebook, and other companies, which picked up tech workers at public bus stops. Facebook bought WhatsApp and Oculus, Google bought Nest and DeepMind, Amazon bought Twitch, and the minting of new millionaires accelerated. By 2014, the median rent for a two-bedroom had passed thirty-seven hundred dollars. Some of Tartine’s staff members faced rent hikes or were threatened with eviction. “It really felt, like, Ugh, are we just working at the Disneyland for Google employees?” Katie Lally, who was at Tartine from 2007 to 2011, told me. She recalled a customer who’d ordered in tech-gadget lingo: “What’s your sexiest pastry? What’s the thing everybody wants?”

Tech was booming. Rents were skyrocketing. Tartine had thrived during an economic downturn. Now it was operating in one of the most expensive cities in the world. In Silicon Valley, startups were following a new business rule: grow or die. But how much was it possible for an artisanal bakery to grow?

In 2014, Prueitt and Robertson started work on a restaurant, café, and ice-cream bar called Tartine Manufactory. They leased an airy, six-thousand-square-foot space in the Heath Ceramics building, on the other side of the Mission. Robertson had begun collaborating with Washington State University’s Bread Lab, and there were plans to integrate a mill, allowing the on-site production of unusual flours. “This is kind of what happens: you find another place, you build a nicer kitchen, and keep people,” Robertson told the food magazine Lucky Peach.

The Oakland coffee company Blue Bottle, which had just raised forty-five million dollars in venture capital for its own expansion, needed a bakery partner to provide food in its coffee shops. (Today, there are more than a hundred.) Tartine soon announced a merger with the company. Anticipating a personal windfall, Prueitt and Robertson moved into a luxurious house in the Castro. A photo shoot published by the Web site Eater showed off their specialized cookware, heated outdoor furniture, and lemon trees. By the time the Eater piece went live, the Blue Bottle acquisition had fallen through; the couple put the Castro house up for sale and moved out. Still, Tartine Manufactory opened in the summer of 2016. According to its designers, its space, with light wood tables arrayed beneath Noguchi paper lanterns, represented “a new type of luxury,” and referenced “Alpine lodges, Danish cafes, Stickley furniture and Japanese teahouses.” Manufactory’s menu offered sea-urchin smorrebrod, beef-heart tartare, and buffalo-milk soft serve; the next year, it was nominated for a James Beard Award. Meanwhile, Tartine launched its own coffee brand, Coffee Manufactory, in partnership with Chris Jordan, a former Starbucks executive. Jordan became Tartine’s C.O.O. Tartine developed a series of partnerships with investors, among them a real-estate private-equity firm called CIM Group.

CIM was founded in 1994, by Richard Ressler, an investment banker, and Avi Shemesh and Shaul Kuba, two Israeli immigrants whose landscaping company Ressler had employed. The firm raises money from individual and institutional investors, such as pension funds, and manages about thirty billion dollars in assets, focussing on what it calls “thriving and transitional urban communities” and “opportunity zones.” It is one of the largest property owners in Los Angeles, and a prominent commercial landlord in Oakland. Like many large real-estate companies, CIM is also a lender, providing the kinds of loans necessary for big development projects.

CIM invested in Tartine’s café and bakery business. Coffee Manufactory planned to move into Jack London Square, a waterfront neighborhood in Oakland where CIM was pursuing redevelopment. For CIM, Coffee Manufactory was intended to be an anchor tenant—a business that could attract customers and other businesses, increasing the over-all value and cachet of the area. “It’s hard to grow these types of communities in the right way,” Jordan told the San Francisco Chronicle, in 2017. CIM, he continued, “gets it, essentially. They see consumers want an organic and local experience.”

In the mid-twentieth century, developers might have taken on shoeshines and newspaper stands as amenity-oriented tenants. Today, they are more likely to seek out gourmet coffee shops, bookstores, restaurants, and cafés. It isn’t unusual for developers to offer such tenants leases with reduced rent, or no rent at all. In some cases, the tenants pay real-estate companies a percentage of their revenue. For the real-estate firms, these arrangements can help open or revitalize a building; for business owners, they can offer a respite from worrying about fund-raising, being profitable, and paying rent; and for low-margin businesses, such deals may be one of the few viable routes to expansion. (In New York City, Tishman Speyer, the real-estate firm revamping Rockefeller Center, has offered custom leases to restaurants and smaller businesses including Van Leeuwen Ice Cream and the record store Rough Trade.)

Tartine was a particularly appealing anchor tenant. The food was great, and most of it could be made off-site, requiring a fairly modest square footage for retail sites. And Tartine had a history: the flagship location, with its artistic staff and communal ambiance, radiated the sort of authenticity that a real-estate developer could only dream of cultivating. Year on year, Tartine’s brand had become cooler, airier, and more transportable. Photographs of its pastries and its Guerrero Street bakery had appeared in Apple commercials and product demos; Sweetgreen, riffing on a recipe from one of Prueitt’s cookbooks, had offered a “Tartine bowl.” In 2018, an Eater article titled “Do You Even Bake, Bro?” credited Robertson with helping to inspire hobby baking among “the disruptors, engineers, and tech bros” of Silicon Valley. That year, the bakery opened the first of six licensed locations in Seoul, one of which is located in Kinfolk Dosan, a cultural space created by Kinfolk, the aspirational life-style magazine.

Article source: https://www.newyorker.com/news/letter-from-silicon-valley/when-baking-and-real-estate-collide

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Dudum Real Estate was a step ahead despite COVID confusion

But amid the uncertainty, employees of Dudum Real Estate said the company made sure they had the guidance they needed to navigate unprecedented times.

“When the pandemic first hit, they were very on the front line,” said Dudum Brentwood sales manager Jamie Connors said of the company leadership. “We were always informed. Sometimes, before other brokerages would even hear something, we already knew what was coming down the pipeline.”

Founded in 2010, Dudum Real Estate is a private residential real estate company based in Walnut Creek. The company has 174 regional employees working from four offices in the East Bay and one in Placer County near Lake Tahoe.

The No. 1 midsize company on this year’s Top Workplaces in the Bay Area list, Dudum Real Estate has been named a Top Workplace for eight consecutive years.

Connors, who is one of Dudum’s best-selling agents, said founder and owner Julie Del Santo is an “available and forthcoming” leader, who provides support and coaching.

Employees said Del Santo particularly shone as she steered agents, who were deemed essential workers, through the worst of the COVID-19 pandemic.

“There were daily Zoom meetings within our company because there was so much changing,” Dudum agent Angie Clay said. “We needed to keep up with current changes, restrictions and what was allowed.”

Beyond caring for staff during the pandemic, Dudum offers employees real estate seminars and negotiation strategy trainings that instill a service-focused work ethic, according to the company. These trainings also provide agents with the latest market insights to help them stay competitive in the Bay Area’s ferocious real estate climate.

“They are a very collaborative company with agents who are like-minded and work for the good of the whole and put their clients’ interests first,” Clay said.

Employees with the highest performance are recognized in the President’s Club Elite, a distinction reserved for the top 10% of earners. Perks include company events, gifts and bonuses. Agents in the top 25% are honored as well.

Clay, one of Dudum’s top earners, said annual kick-off events, luncheons, company picnics and the yearly holiday party keep employees close, and the company encourages collaboration between teams and offices, even when agents are competing against a colleague on a listing, Connors said.

“You feel like you’re part of something. You’re not afraid to share ideas. Everyone’s rooting for each other and looking out for each other. It’s like a family, and not a lot of places are like that.”


Vanessa Arredondo is a Hearst News Fellow at The San Francisco Chronicle. Email: vanessa.arredondo@sfchronicle.com.

Article source: https://www.sfchronicle.com/bayarea/article/dudum-real-estate-covid-17239751.php

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